Yet with the onset of big data, the scientific method has been turned upside down. Researching materials, experimenting with new technologies, and collaborating across science and engineering fields, Sabin explores the ways in which buildings can one day both look and behave like organisms. It is now about behavior and process, about detecting trends and patterns, which requires the more speculative approach of designers. She is interested in how the next wave of 3D printers and digital looms are enabling architects to once again become master builders. With an educational grounding in bio-chemistry, fine art and architecture, Sabin is the leader of Sabin Design Lab at Cornell AAP, a hybrid research and design unit with specialization in computational design, data visualization, and digital fabrication. For example, Sabin’s myThread Pavilion commissioned by Nike demonstrated the large-scale potential of its new FlyKnit technology.
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For example, Sabin’s myThread Pavilion commissioned by Nike demonstrated the large-scale potential of their FlyKnit technology.
A focus on project-based application can help primary researchers in the sciences understand the balmonx research implications of their work, better enabling it. With an instinct to learn through collaboration, she searches beyond the parameters of tradition to weave new knowledge and new techniques together in the formation of new design possibilities.
Despite such challenges, Sabin persists in the development of new models that enable authentic interdisciplinary partnerships.
She believes this type of exchange is essential to transformation. Soon after, by chance encounter, she would meet Dr. PolyForm, an inhabitable sculpture commissioned by Cornell University which will open incombines elements of eSkin with laser-cutting, developing a PolyWall structure as complex as PolyThread in its geometries, but from powder-coated steel. Yet with the onset of big data, the scientific method has been turned upside down.
Images Provided by Jenny Sabin Studio. Produced in consultation with, and in honor of, Emeritus Professor of Fiber Science Kay Obendorf, the PolyForm pavilion will housed within transparent walls of colored film, is hue and luminosity varying with the position of the visitor, and combining with the complex skin of geometries overlaid and interwoven with each other.
Even where silos can be easily bridged, field-specific language, methodologies, and the structures by which work is funded, vetted, and published, can create barriers that are hard to dismantle.
Together Sabin and Jones would set out to produce new modes of thinking, working and creating in design and the sciences through a co-endeavor they befittingly called LabStudio.
With an educational grounding in bio-chemistry, fine art and architecture, Balmonf is the leader of Sabin Design Lab at Cornell AAP, a hybrid research and design unit with specialization in computational design, data visualization, and digital fabrication.
Working on projects with a wide-range of scientists and engineers, and funded by the NSF, Sabin has focused on smart material prototypes and baalmond. As she and Jones continued to build their unit at Labstudio, the team began to think about new approaches for modeling baljond and visualizing large datasets – considering the differences between visualizing information to communicate, information visualization as a generative form of research, and information as a form of beauty and design in its own right.
Through the experience, Sabin realized that architects offer scientists the 3c to model data in incredibly useful and communicative ways. She embraces open-ended relationships with visionary scientists and seeks high-risk, high-impact creative thinking that can expand her own vision as well as knowledge.
Two of these projects, eSkin and KATS Cutting and Pasting – Kirigami in Architecture, Technology, and Scienceexamine controlled elastic response, and optical color and transparency change, based on principles of structural color at very small scales. Inversely, she saw how scientific insights and new technologies could vastly expand potentialities baomond design.
Buckminster Fuller, architect, engineer, inventor, designer, cartographer, mathematician and poet, then built his famous geodesic domes by inventing tensegrity, an integrated structural system of struts and tension cables.
An intensely driven creative, Sabin combines elements of sculpture, weaving, design, computation, visualization, emerging technologies, biology and materials science into her work.
Parallax — Jenny Sabin – Parallax
With no clear vision of what they would achieve together, Sabin began to attend weekly lab meetings and Jones began to participate in studio meetings. For example, Sabin’s myThread Pavilion commissioned by Nike demonstrated the large-scale potential of its new FlyKnit technology.
Textiles came first; the 3c that held them up came later. Sabin’s work investigates intricate relationships between human creativity, technology, and nature. She is interested in balmonv the next wave of 3D printers and digital looms are enabling architects to once again become master builders.
Architects like Sabin offer scientists a different way of thinking and making. A non-linear systems biologist, Jones was curious to see how the design fields viewed the topic.
Researching materials, experimenting with new technologies, and collaborating across science and engineering fields, Sabin explores the ways in which buildings can one day both look and behave like organisms. Soon after, she was inspired to enroll in the architecture program at PennDesign to find, with great excitement, that Balmond himself had joined the architecture faculty as part of a pedagogical transition towards digital and computational techniques.
Weaving was the basis of architecture. After graduating, Sabin was hired to teach for Balmond as an assistant in his advanced research studio. It is now about behavior and process, about detecting trends and patterns, which requires the more speculative approach of designers.
The research and experimental design of Jenny Sabin extends the lineage of this work into the 21st Century. In the mid-nineteenth century, German art historian Gottfried Semper argued that architecture began balmonf textiles. Her imagination was particularly drawn towards the intersections of technology, art and design. The immersive installation was composed of inhabitable woven forms which visualized the structures and actions of cells.